Now it should only happen for cached files and only if the canvas is used for the max size in the file preferences. Got rid of some end cases where images would reload if the canvas size changed.Fixed an end case where file relinking search may not locate image files.worked around a really weird bug in 10.9 where windows would just randomly stop drawing.fixed a bug in vdmx with fullscreen under mavericks when "displays have separate spaces" is enabled in mission control.found a clever workaround for a couple bugs with QC in 10.9 where compositions that only had published outputs weren't rendering.fixed a bug where groups and pre-fx layers were being listed in the two channel mixer.icon below which you think is the most similar to the one above. fixed a bug with the font size of the step sequencer ual execution, such as icon selection, widget arrangement, color composition, etc.Small fix with LFO local presets- Related to changing over transport controls to match step sequencer.DMX configuration in preferences now allows for up to 32 input & output ports over ArtNet.fixed a bug that was tinting preset thumbnails solid colors in the workspace inspector.fixed a bug introduced in the last build which would cause step sequencers to crash when displaying interpolated colors. We choose music from one single artist so the project has a cohesive theme between. For a little extra panache, we stuck a computer monitor in Re-bot’s chest that displayed an oscilloscope that was generated from a Quartz Composer patch, and also driven by VDMX5’s audio analysis tool. Create all elements to be used in Flash or to be collaged in VDMX5. This allowed us to use the built-in audio analysis and clock tools in VDMX5 to detect the amplitude and BPM of the music at the party, and translate it into brightness and color controls on the LEDs that comprised Re-bot’s face. With some light tinkering and guess work, we created an ArtNET node using an Arduino Uno, an ethernet shield and Nathanaël Lécaudé’s ArtNET Library. Instead of shelling out for an expensive DMX/Artnet node to interface with the lights on Re-bots face, we were able to employ a cheap DIY solution. ArtNET is a protocol for sending DMX over a standard network (wifi, ethernet, routers, etc).WS2812 LEDs often come as a rope or strand, and are special in that each bulb on that strand is individually addressable, allowing it’s color or brightness to independent from that of its neighbors.DMX is a digital protocol used on many concert and theater stages to control which lights are on at any given time, and how bright they are.For the non-lighting nerds among us (most of us here at Rehash): But one feature that would come in handy for us would be it’s ability to send DMX via ArtNET messages to Re-bots face which was constructed from WS2812 LED fixtures. It boasts media players capable of handling most digital audio/video formats as well as Quartz Composer Patches and ISF shaders, and a slew of tools for manipulating these formats. Vidvox’s VDMX5 is a highly customizable software tool used by many VJs and installation artists. For the little extra razzle-dazzle, we wanted to give Re-bot an animated face, and in today’s world of open hardware, we were able to do so relatively painlessly and on the cheap.
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