These products contributed to transforming electronic music applying to the Guitar World the ideas and tools that people have been using with keyboards or modular synthesizers. Then, in the 2000s Roger focused on making guitar products: the Adrenaline pedal. Then, in the 90s, Roger also made the MPC Drum Machines with the company Akai, and those were used very heavily in hip-hop music production and other dance-related styles. He’s best known for the first digital drum machines that he made starting in 1979: we can mention, for example, the LM-1, the LinnDrum, and the Linn-9000, that were used on lots of pop records in the 1980s by many artists, like Prince and Madonna, just to mention few of them. Roger Linn is a designer of electronic music products. We spent a nice time together talking about the relation between Music and Technology. We have visited our friend Roger Linn in his home in Los Altos, California, which is in the heart of Silicon Valley. That’s not all… we are going to reveal important news during the NAMM, Believe in Music Week! To follow our event, register for free at. With us, they will also be there Keith McMillan Industries, moForte, ROLI, and other MPE companies. Our SWAM powered instruments are a must choice if you want to make realistic emulations of acoustic instruments! So players can modulate parameters like timbre, pitch, and amplitude - all at the same time. MPE allows digital instruments to behave more like acoustic instruments in terms of spontaneous, polyphonic sound control. We are going to illustrate MPE, the universal protocol for electronic music. Our event, “ MIDI Polyphonic Expression MPE”, will be on January 18 at 9 am Pacific Time. ĭespite the difficult times, we will also be present at NAMM, Believe in Music, with the Session organized by The MIDI Association. You can follow the event by visiting, just register for free here. In light of the COVID-19 pandemic, the NAMM Show has become “ NAMM, Believe in Music”: the global gathering to unify and support the people who bring music to the world.īelieve in Music, to be held from 18 to 22 January 2021, will not be the usual NAMM Show or a virtual tradeshow but will feature an interactive marketplace to connect buyers and sellers, trying to offer support for those most deeply affected by COVID. The 2021 edition of NAMM, the historic trade show for the music product, will be different. Having a separate area for editing has the advantage of separating potentially dangerous actions if triggered unintentionally during a live performance. This mode has been created to allow easy drag & drop reordering, labeling, color customization and delete actions. Scene Layers, Song Racks, and Setlist Racks are on the Layer View screen.Įach section has an Edit button (pencil icon) that triggers the new Edit mode. You can find the Backing Tracks timeline, the Scenes timeline and Markers on the Timeline screen. On the Timeline and Scene views, the screen area is organized in sections with a dedicated + button to add the related content. With the 2.0 version we addressed a few usability issues of version 1.x but also improved the language and organization of its sections… While we added a huge number of new features to address your requests, we also redesigned its GUI and kept the same intuitiveness and ease of use that version 1.x had. We didn’t sacrifice usability with Camelot 2.0. A common consequence is pain, confusion, and frustration for users. Last but not least, 65 patch positions result from the provided matrix, offering users a wide range of possibilities.Usually, the complexity of a Software is related to the number of available features it has. Offering a visual analog of a physical controller, MIDI Patchbay is equipped with a series of 16 controls, 8 for the inputs and 8 for the outputs, as well as dedicated commands for controlling pitch, magnitude, and other relevant parameters. Furthermore, through the mapping process, users will basically route the signal to the application’s actual, internal input, and outputs. MIDI Patchbay is a specialized application that was developed specifically in order to provide users with a series of tools for working with the signal to and from their MIDI device, through means of splitting, merging, or applying filters, in accordance to their characteristic requirements.īuilt around an 8 by 8 MIDI interface, the controller will allow one to map all MIDI ports, regardless if we’re talking about the virtual or actual, physical ones, on the audio equipment. Not to mention the hassle of adequately linking the same signal traces to any accompanying software, in order to achieve better control over the physical equipment. Working with MIDI controllers on multiple channels can pose serious challenges, especially when it comes to splitting or merging the signal.
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